
Gardening
- Cité des sciences et de l'industrie, Paris
14 Oct - 12 Jul 2026
From€15.00

The exhibition Tech Through Time #2: The Typewriter (or Machine arrière #2) at the Cité des sciences et de l'industrie offers a profound exploration of our relationship with written communication by adopting a unique reverse chronology. Rather than a linear progression, the curation invites visitors to travel backward from the ubiquity of modern digital keyboards and smartphones to the mechanical precursors of 1936. This "rewinding" technique serves as a brilliant curatorial theme, highlighting that while the interface of the keyboard has remained remarkably static for nearly a century, the technological and sociopolitical contexts surrounding it have undergone radical shifts.
Central to the exhibition’s historical significance is its focus on the sociopolitical implications of technology, particularly regarding female empowerment and labor. Through graphic frescoes and a collection of iconic historical objects, the showcase moves beyond mere technical innovation to examine the "gendered" nature of the typing profession. It juxtaposes the idealized image of the independent, modern typist against the harsh reality of the typing pool, where the typewriter functioned as a tool for both professional integration and industrial exploitation under the pressures of Taylorism.
The emotional resonance of the display is most potently captured in the immersive audio experience created in collaboration with Radio France. Visitors are invited to sit and listen to an audio drama that transports them to the year 1936, a period of intense social upheaval and the rise of the Popular Front. Amidst the rhythmic, mechanical din of Remington typewriters, listeners inhabit the daily lives of workers like Louise, experiencing the tension between the "click-clack" of the keys and the burgeoning strikes and demands for workers' rights. This spatialized soundscape transforms the typewriter from a silent relic into a living witness to human struggle.
Ultimately, this exhibition succeeds in bridging the gap between generations, making it a masterful example of pedagogical curation. By tracing the lineage of the virtual keyboard back to its tactile, mechanical ancestors, it fosters a dialogue between those who remember the weight of a carriage return and a younger generation for whom writing is an ethereal, digital act. It serves as a nostalgic yet critical reminder that every technological advancement is inextricably linked to the social transformations and the quest for rights that define our collective history.
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