
The Great Ages
- Musée de l’Homme, Paris
8 Apr - 3 Jan 2027
From€15.00

The Mummies exhibition at the Musée de l'Homme is a profound curatorial endeavor that transcends the traditional "cabinet of curiosities" to present a rigorous, scientific, and deeply humanistic study of mummification. Moving far beyond the ubiquitous Egyptian archetypes, the exhibition showcases the sheer cultural diversity of this practice, spanning over 9,000 years of human history. By bringing together over 60 mummified bodies and fragments from South America, Europe, Africa, and Asia, the curation highlights the universal quest for eternity and the varied rituals societies have developed to navigate the boundary between life and death.
A central pillar of the exhibition is the presentation of nine unique individuals, including the world’s oldest artificial mummies from the Chinchorro culture of Chile and Peru, which predate Egyptian practices by millennia. These are displayed alongside the young queen of the Canary Islands and a child discovered in the Auvergne countryside in 1756. This selection underscores a significant historical significance, shifting the narrative from mummies as "objects" or "monsters" to mummies as biological archives. Through the lens of contemporary research—utilizing medical imaging and biochemistry—these remains provide invaluable insights into the health, diet, and social structures of ancient civilizations.
The exhibition is distinguished by a sensitive and ethical museography, overseen by curators such as Éloïse Quétel. Recognizing the potential for unease, the design employs semi-transparent veils and individual display cases that allow visitors to choose their level of engagement with the deceased. This approach fosters an emotional resonance rooted in respect and introspection rather than spectacle. The inclusion of contemporary artworks from Europe and the Canary Islands further enriches this dialogue, using modern artistic expression to echo the themes of corporeality, decomposition, and the persistence of memory.
Ultimately, this showcase at the Musée de l'Homme serves as a powerful meditation on our collective relationship with mortality. It successfully deconstructs popular culture stereotypes to reveal mummification as a sophisticated social and religious technology. By documenting the meticulous work of the museum’s conservation laboratories, the exhibition also reflects on the evolving responsibility of cultural institutions to preserve human dignity while advancing our understanding of the past. It is an immersive journey that challenges our modern taboos and invites a renewed perspective on the legacy of the human body.
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